When you hear sad music and feel some sadness in response, is that because the music has successfully carried the sadness of the musician to you as the listener? Or is it better to say that the sadness is in you, released by the music but not “carried” by it? In this show (our second with a live audience), we discuss the music theory of the third-century philosopher Ji Kang 嵆康 (223–262 CE), who argued against the “carrier” view of music and for a more complicated and pluralistic account of the emotional contents of music. We also discuss Ji Kang’s interpretation of a famously evocative and mysterious passage in the Zhuangzi, regarding the “piping of Heaven.” To guide us in discussing these issues, we lean heavily on our guest, Meilin Chinn of Santa Clara University, a leading expert on the philosophy of music in China. Continue reading →
With a big assist from our guest, Stephen C. Walker, we discuss a highly unusual philosophical dialogue in classical Chinese literature, the “Robber Zhi Dialogue” (from the Miscellaneous Chapters of the Zhuangzi). This shocking story shows Confucius attempting to convince the story’s anti-hero (Robber Zhi) to give up his robber lifestyle. By the end of the story, Confucius emerges as the more naive and inauthentic of the two characters, and moral exemplars in general are called into question. Are purveyors of morality also robbers themselves?
Stephen C. Walker’s research page Continue reading →
