In this episode, we take up one of the most puzzling and fascinating passages in the Zhuangzi: the “happy fish debate” between Zhuangzi and Huizi. Can Zhuangzi really know that the fish are happy if he is not a fish? Along the way, we explore skepticism, language, animal minds, and the ordinary but surprisingly sophisticated ways we recognize joy in other living things. Continue reading →
Category Archives: Zhuangzi
Two More Upcoming Collaborative Learning Events
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On June 17th at 8:00am Beijing time we will host a roundtable on “The Zhuangzi and Post-Truth.“
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On June 18th at 8:00am Beijing time we will host a roundtable on “Paradox in the Zhuangzi.“
Two Upcoming Collaborative Learning Events
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On June 9th at 9:00am Beijing time Ellie Wang will give a lecture on “Rhythm, Alignment, and Collective Clarity:
from Affective Salience to Public Order in Xunzi.” -
On June 12th at 20:00 Beijing time we will host a roundtable on “The Radical Zhuangzi.”
Upcoming Collaborative Learning event
Two Upcoming Collaborative Learning Events
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May 11th at 9:00am Beijing time: “Nothingness (無) in the Zhuangzi.”
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May 11th at 19:00 Beijing time: “Transformation and/in the Zhuangzi.”
Upcoming Collaborative Learning Event
Upcoming Collaborative Learning Events
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April 6th at 9:00am Beijing time: Roundtable on “Zhuangzi: Fate, Desires, Transformation.”For details and the Zoom link please see our event page: https://www.sihaiweixue.org/zhuangzi-fate-desires-transformation
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April 6th at 19:00 Beijing time: Livia Kohn will speak on “Time in Daoist Culture.”For details and the Zoom link please see our event page: https://www.sihaiweixue.org/livia-kohn-lecture
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April 10th at 20:00 Beijing time: Mara Yue Du will speak on “Rethinking Late Qing and Republican Constitutionalism through Global History: Tradition and Modernity.”For details and the Zoom link please see our event page: https://www.sihaiweixue.org/mara-yue-du-lecture
Episode 32 of “This Is the Way”: Music Has in It neither Grief nor Joy
When you hear sad music and feel some sadness in response, is that because the music has successfully carried the sadness of the musician to you as the listener? Or is it better to say that the sadness is in you, released by the music but not “carried” by it? In this show (our second with a live audience), we discuss the music theory of the third-century philosopher Ji Kang 嵆康 (223–262 CE), who argued against the “carrier” view of music and for a more complicated and pluralistic account of the emotional contents of music. We also discuss Ji Kang’s interpretation of a famously evocative and mysterious passage in the Zhuangzi, regarding the “piping of Heaven.” To guide us in discussing these issues, we lean heavily on our guest, Meilin Chinn of Santa Clara University, a leading expert on the philosophy of music in China. Continue reading →
